Displaying 1501-1575 of 3057 products
Electric Guitar
Electromatic Jet Series - Limited Edition, Pearloid Neo-Classic Thumbnail fretboard inlays, 22 Medium jumbo frets, Synthetic bone nut, 2 x Volume,...
Harley Benton HB-40R
40 Watt Guitar Combo Amplifier, TEC Tube-emulating circuit, Channel select (activate overdrive / boost channel), Gain control, Volume controls for...
Signature Guitar
Alexi Laiho signature model, Neck-thru construction, Alder body, Maple neck, Ebony fretboard, 42 mm Locking nut, Thin U neck shape, 24 XJ frets,...
Electric Guitar
Maple neck, Pau Ferro fretboard, Matte neck finish, 22 Frets, Volume knob and tone knob, 3-Way toggle switch, Standard sealed machine heads,...
Electric Guitar
22 Jumbo frets, 1 Master volume and 1 tone control with push / pull dry switch, 3-Way blade switch, Copper pickguard, GraphTech TUSQ nut, Matte...
Harley Benton Fusion-II HSH Roasted FBB
Electric Guitar, Matching headstock, 5-Way switch
Custom Shop Electric Guitar
Mahogany body (Swietenia Macrophylla), Mahagoni neck (Swietenia Macrophylla), Rosewood fretboard (Dalbergia Latifolia), Chunky "C" neck profile,...
Electric Guitar
Birds fretboard inlays, 24 Frets, 3-Way Toggle switch, 1 Volume control and 1 tone control, PRS Tremolo, Includes gig bag
Electric Guitar
22 Medium jumbo frets, Pearloid Neo-Classic thumbnail inlays, 2 Volume, 1 master volume and 1 master tone controls, 3-Way toggle switch, GraphTech...
Electric Guitar
Maple neck, Pau Ferro fretboard, Matte neck finish, 22 Frets, Volume knob and tone knob, 3-Way toggle switch, Standard sealed machine heads,...
Electric guitar
22 Jumbo frets, Seymour Duncan TB-5 Custom Zebra / Seymour Duncan APH-1 Custom Zebra humbuckers, Tune-O-Matic bridge, Grover machine heads, Black...
Harley Benton HB-35LH BK Vintage Series
Electric Guitar, Left hand model, Vintage series, Arched top, Dot fretboard inlays, Cream binding on the body and neck, 22 Frets, Double action...
Electric Guitar
Limited edition, 24 Frets, Black bird fretboard inlays, 1 x Volume and 1 x tone control, 3-Way blade switch, PRS tremolo, PRS SE machine heads,...
Electric Guitar
Classic Vibe series, 21 Narrow tall frets, Bone nut, Four-ply tortoiseshell pickguard, 5-Way toggle switch, 6-Saddle Vintage style synchronised...
Electric Guitar
Alder body, Bolt-on maple neck, Granadillo fretboard, 648 mm Scale length (25.5"), 22 Frets with Circle Fretting System, 43 mm Nut width,...
Harley Benton HB-40R
40 Watt Guitar Combo Amplifier, TEC Tube-emulating circuit, Channel select (activate overdrive / boost channel), Gain control, Volume controls for...
7-String Double Cut Electric Guitar
Baritone LTD Deluxe "1000 Series", 24 Extra jumbo frets
Electric Guitar
Lefthand model, Matthew Bellamy (Muse) Signature model, 22 Frets, 3 Way toggle switch, Kill switch, 1 Volume and 1 tone control, Chrome hardware
Electric Guitar
Custom Shop Model, Arched "Hard Rock Maple" top, Ultralight one-piece mahogany body, One-piece mahogany neck, One-piece, hot-glued rosewood...
Electric Guitar
24 Jumbo frets, Volume control, Tone control, 3-way toggle switch, Floyd Rose original tremolo, Gotoh locking machine heads, Black hardware, Case...
Electric Guitar
Pearloid dot fretboard inlays, 21 Narrow Tall frets, Bone nut, Master volume knob, master tone knob, 3-Way toggle switch, 3-Ply parchment...
Electric Guitar
Pearloid sharkfin fretboard inlays, 24 Jumbo frets, 1 Volume knob and 1 tone knob, 3-Way toggle switch, Floyd Rose special locking saddle, Jackson...
Electric Guitar
Left hand model, Set-in mahogany neck (Khaya ivorensis), 22 Jumbo frets, 2 ESP LH-150 humbucker pickups, TOM bridge and tailpiece, ESP machine...
Electric Guitar
Two-piece mahogany body, Two-piece glued-on maple top, Mahogany neck, Rosewood fretboard (Dalbergia ;atifolia), MoP trapezoid fretboard inlays,...
Electric Guitar
22 Extra jumbo frets, 3-Way toggle switch, Tonepros Locking TOM bridge and tailpiece, LTD locking machine heads, Black hardware
Electric guitar
Vintera series, White dot fretboard inlays, Synthetic bone nut, 21 Vintage frets, 3-Ply mint green pickguard, 2 Volume and 2 tone controls, 3-Way...
Electric Guitar
22 Medium frets, 1 Master volume- and 1 tone- control (push/ pull dry switch), 3-Way toggle-switch, Black pickguard, Nickel hardware, TOM bridge &...
Electric Guitar
5-Ply binding, 22 Vintage steel frets, EVH-branded Floyd Rose tremolo with EVH D-Tuna, EVH-branded machine heads, 3-Way switch (reverse style), EVH...
Harley Benton DC-600 VI Vintage Series
Electric Guitar, 24 Frets, Double action truss rod, 3-Way switch
Electric Guitar
Mahogany body, Maple top (quilted maple), 3-Piece mahogany neck, Thin C neck profile, Rosewood fretboard (Dalbergia Latifolia), 24 XJ Frets, 673 mm...
Electric Guitar
Artist series Jim Root model, 22 Jumbo frets, 3-Way switch, String-thru body bridge, Black hardware
12-String Electric Guitar
Left handed model, Masonite top and back on a poplar frame, Maple neck, 21 Frets, Double action truss rod, 1 x Volume control and 1 x tone control,...
Electric Travel Guitar
Left-handed model, Passive electronics, Neck-through construction, 22 Medium nickel silver frets, Dot inlays, Chrome hardware, 6.3 mm mono jack...
Electric Guitar
Lefthand model, Mahogany body, Quilted maple top, 24 X-Jumbo frets, Scale 648 mm, Passive electronics, Volume control and tone control, 3-Way...
Electric Guitar
Double cutaway, 21 Frets, Double action truss rod, 1 Volume control and 1 tone control with push/pull function for coil split, 3-Way switch, Pro...
Harley Benton Victory Flames Classic Series
Electric Guitar, Classic Series, "Custom Flame" - fretboard inlays, 22 Frets, Dual action truss rod, 2 Volume knobs and 1 tone knob, 3-Way toggle...
Electric Guitar
White pearloid dot fingerboard inlays, Bone nut, 22 Medium jumbo frets, 5-Way switch, 2-Point Deluxe Synchronised Tremolo with pop-in arm, Deluxe...
Electric Guitar
Paul Masvidal (Æon Spoke / Cynic) Signature Model, Chambered sump body, Maple top with burl poplar veneer, "Roasted maple" neck, Ebony fretboard...
Electric Guitar
Dual action truss rod, 3-Way switch, Includes a Duesenberg case
Electric Guitar
T-Style, Maple neck, 21 Frets, Volume and tone controls, Three-way switch, Vintage style Gotoh SDS-510 machine heads, Single-ply black pickguard,...
Electric Guitar
Mother-of-pearl split block fretboard inlays, 5-Ply body binding, 22 Frets, 5-Ply Tortoise Scalini pickguard, 2 x Volume and 2 x tone controls,...
Electric Guitar
Lefthand model, Semi-hollow, Mahogany body, Flamed maple top, Makassar ebony fretboard, 22 Extra jumbo frets, 2 Volume controls and 1 Tone control,...
Electric Guitar
White dot fretboard inlays, 22 Vintage frets, Nut from synthetic bone, 4-Ply aged white pearloid pickguard, 2 Sliders, 3-Way toggle switch,...
Electric Guitar
John Petrucci (Dream Theater) Signature Model, Custom JP inlays, 24 Medium jumbo frets, 1 volume control with push/push function for 12 dB boost, 1...
Electric Guitar
Semi hollow, Locked spruce top, Locked bark maple back, Sustain Center Block, Maple neck, Rosewood fretboard (Dalbergia Latifolia), 22 Jumbo frets,...
12-String Electric Guitar
Body frame and centre block made of poplar, Masonite top and back, Pau Ferro fretboard, 21 Frets, Bottle 3 + 3 Headstock, 1 Master volume and 1...
Electric Guitar
22 Frets, Double action truss rod, 1 Volume control, 1 Tone control with push/pull function for coil split, 3-Way switch, Pro hardware, Wilkinson...
Electric Guitar
Bill Kelliher (Mastodon) Signature model, Mahogany neck-through-body ((Khaya ivorensis), 24 Extra jumbo frets, Volume control with push / pull...
Electric Guitar
Volume control with push / pull function, Tone control with push / pull function, 3-Way switch, Includes a case, Made in Japan
Harley Benton TE-20 BK LH Standard Series
Electric Guitar, Left hand model, Dot fretboard inlays, 22 Frets, Dual action truss rod, 1 Volume knob and 1 tone knob, 3-Way toggle switch, Chrome...
Electric Guitar
Maple fretboard, 22 Jumbo frets, 1 Wolfgang Humbucker pickup, Floyd Rose Tremolo with EVH D-Tuna, 1 Volume control, Chrome hardware
Electric Guitar
Roman Numerals fretboard inlays, 22 X-Jumbo frets, Graph Tech XL Black Tusq Saddle, 2 x Volume and 1 x tone controls, 3-Way switch, Schecter...
Electric Guitar
Rosewood fretboard (Dalbergia Latifolia), 22 Frets, Guild Adjusto-Matic bridge, Stopbar tailpiece, Grover Sta-Tite machine heads, Incl. Case
Electric Guitar
Left hand model, Maple neck, Pau Ferro fretboard, Matte neck finish, 22 Frets, 5-Way toggle switch, 2-Point tremolo, Standard sealed machine heads
Harley Benton HB-35Plus Lemon
Electric Guitar, Vintage series, Block fretboard inlays, 22 Frets, 2 Volume controls with push / pull function for coil split, 2 Tone controls,...
Electric Guitar
Floyd Rose special locking nut, 5-Way toggle switch, Coil-split selector switch, Floyd Rose special tremolo, 6.3 mm Jack plug, Includes a deluxe...
Electric Guitar
Arched flamed maple top, Rosewood fretboard (dalbergia latifolia), Maple headstock with PRS lettering, 24 Frets, Volume control, Tone control with...
Electric Guitar
Kirk Hammett Signature, 24 Extra jumbo frets, Locking nut, 2 Volume controls and 1 tone control, 3-Way toggle switch, Floyd Rose 1000 tremolo, LTD...
Electric Guitar
Gary Holt (Exodus / Slayer) Signature Model, Mahogany neck-through-body (Khaya ivorensis), Locking nut, 22 Extra jumbo frets, 2 Volume controls -...
Electric Guitar
3-Way switch, Adjusto-Matic bridge with Bigsby-licensed B70 vibrato tailpiece
Electric Guitar
Mahogany body, Mahogany neck, Rosewood fretboard (Dalbergia Latifolia), Cream binding, Thin C neck profile, 22XJ frets, Graph Tech XL Ivory Tusq...
Electric Guitar
20 Frets, Guild Adjusto-Matic bridge, Bigsby B60 tremolo, Grover StaTite machine heads, Includes a case
Electric Guitar
Mahogany body (Swietenia macrophylla), Maple neck, Maple fretboard, Dot fretboard inlays, 22 Frets, 3-Way pickup selector, Chapman hardtail bridge...
Electric Guitar
Rarities Series, 21 Vintage frets, Bone nut, Three-ply black/white/black pickguard, 1 Volume and 1 tone control, 3-Way switch, 3-Saddle American...
Electric Guitar
Mahogany neck-through-body (Swietenia macrophylla), Historic Kramer fretboard inlays, 24 Frets, 5-Way toggle switch, 1 Volume control with push /...
Electric Guitar
22 Frets, Dual action truss rod, 1 Volume knob and 2 tone knobs, 5-Way toggle, Chrome hardware, Synchronised tremolo system, Kluson style machine...
Epiphone Les Paul Special II VS
Electric Guitar, Control for clean and overdrive channels, Speaker output, Line out with Speaker simulation, Headphone jack, Power On / Off, EQ /...
Electric Guitar
Semi Hollow Body with Single Cutaway and Center Block, Laminated maple top, back and sides, Maple neck, Ovangkol fretboard, White pearloid...
Electric Guitar
Nato body, Maple top, Nato neck, Set-in neck attachment, Rosewood fretboard (Dalbergia latifolia), 3-Way toggle switch
Electric Guitar
Player Series, 22 Frets, 3-Way switch, Vintage-style bridge with floating tremolo tailpiece
If you are a guitar buff, you are probably curious about the history of electric guitars. Knowing all about the electric guitar you play and its history can be a great way to really connect with your music.
Being one of the most popular instruments being played today, many people know the history of the Spanish guitar and acoustic guitar but where did guitars of the electrical variety come from?
The history of electrically powered guitars begins sometime in the 1930s and was first manufactured by Rickenbacker (originally named Ro-Pat-In).
However, the popularity with guitarists did not really seem to gain momentum until the era of the Big Bands. The electrical guitar fitted in perfectly since it needed extra volume to contend with the boisterous horn instruments that Big Bands are known for.
From this point in time onwards, the electrical type of guitar evolved and gained popularity. Whilst its counterparts the acoustic and classical guitars are of course widely used around the world, the electric version is perfect for so many situations. There are even electrical versions of the acoustic guitar simply to amplify their sound.
For guitarists everywhere, the most famous electrically powered guitars are the 1952 Gibson Les Paul and, of course, Leo Fender's Stratocaster from 1954.
Learning the history of all types of guitars, or any instrument you play for that matter, will give you a better understanding of the importance of your instrument.
If you like it loud, you'll like the electric guitar. First seen in the early 1930s, electric guitars gained immediate popularity through their use in the Big band era. Because they could be electrically amplified, the guitars were able to hold their own against the brass sections of big bands and jazz orchestras.
Guitarists have been jamming on electrics ever since. Because the guitar doesn't rely on amplification from the guitar itself, but uses electromagnetic pickups to covert the vibration of the guitar's metal strings into electric signals, electrics can come in every shape and size.
The electric was and still is used extensively in blues and rock and roll. Such guitar companies as Fender, Gibson, Taylor, and Ibanez have been in the guitar game for many years and some like, Leo Fender have been at it since the guitars were first commercialized for mass consumption.
With the amazing talent of guitarists throughout the 20th century, many new components were added to the guitar repertoire, including the very fun guitar effects box.
An electric effects box allows guitarists to add a variety of musical zips and zings to their playing. The most common guitar effects include flanging, fuzz, wah-wah, vibrato, as well as compression sustain, delay and echos.
A number of innovative elctric guitarists have rocked the music scene throughout the years. including guitarists Daniel Ash, Jerry Garcia, Eddie Van Halen, Jimi Hendrix, and Thurston Moore.
Even if you like your acoustic guitar, it can never hurt to pick up an electric and let the amp rip. There's just something so empowering about the energy that bursts through you, your guitar, and out of that speaker as you blaze in a moment of guitar glory. Keep it loud, keep it proud, keep it electric.
Guitar bodies are the single most important element that determines guitar quality.
The quality of a guitar body, in turn, depends on the kind of wood that a luthier uses to create the guitar top and the guitar's back and sides.
Maple, spruce or red cedar is used to make the acoustic guitar top.
The back and sides are generally made of mahogany, Indian rosewood or Brazilian rosewood. Also, the body of the acoustic guitar is hollow.
Electric guitars, in contrast, have solid bodies made of maple, ash, poplar, alder or mahogany. Some electric guitars like the Gibson ES-335 may have a semi-hollow body, and hollow wings. Their sound is somewhat closer to that of the acoustic guitar.
Also, unlike acoustic guitars where a single piece is used to make the guitar top, luthiers prefer to laminate hardwoods in the case of an electric guitar to produce sounds of superior tone. The bodies of electrics are then carved or routed to fix guitar components like bridges, pickups and necks.
Guitar makers like to decorate the body of a guitar, especially acoustics, with purfling. This not only adds to the guitar's looks but also helps the luthier bond two strips of wood more strongly.
Guitarists prefer those bodies whose sound improves with age. Interestingly, the age of a body is not measured by years but by the number of hours that a guitar is played.
The companies that make some of the finest bodies in the guitar world are Fender, Martin, Gibson and Taylor and all are available online.
Guitar reviews are a must for every guitar maker would like to promote his guitar as the ultimate guitar.
To do so, he needs favorable reviews in established guitar magazines.
To get a positive guitar review needs a good strategy. Some guitar manufacturers make friends with leading reviewers.
Others hire public relations firms to organize good reviews and some even try to influence reviewers by loading them with freebies.
The reviews that were most sought after till the 1990s were those that were published in the magazines such as Guitar World and Acoustic Guitar. To ensure that the review would be respected, the magazines use well-informed guitar writers and professional guitarists.
The arrival of the Internet has added a new dimension to reviews. Everything from coffee beans to guitars is reviewed online but beware as both dealers and users can create web sites to review guitars.
Many of these reviews are biased or malicious. Guitarists have been known to exact revenge on their review sites and dealers have paid commissions to those who give a good review.
That is why the comments posted in different guitar forums do not enjoy the same respect as the review done by a professional guitar writer. However, reviews provide all guitar makers, be they Fender, Martin, Gibson, or Taylor, useful feedback on the strong and weak points of their guitars.
The guitar market is crowded, with new models being launched every other day. Manufacturers realize that they can ignore these reviews at their peril.
A good review can cause a spurt in guitar sales and a bad review a sharp drop. But buyer beware, and always do your own guitar research.
Custom Guitars have spawned from the search for the ultimate guitar. A small cottage industry has sprung up where skilled craftsmen make guitars as per the specifications laid down by the customers meeting the needs of both professional and aspiring guitarists.
A custom guitar can be ordered online or from the local guitar store.
Just decide the shape of the guitar body, the style of the guitar neck, the kind of neck to body joint or the radius of the guitar fingerboard and send the form.
In the case of an electric guitar, the guitarist can even decide the hardware and electronic configuration. The guitarist can also select the strings, the case or the straps to give his guitar a completely different look.
Clearly, a made-to-order custom will be superior to an assembly-line guitar. However, much depends on the experience of the guitar maker and his attention to detail.
Good guitar makers generally take two to three months to turn out a custom. Some have eight to ten months' backlogs for their guitars but other custom makers have built prototypes, and ask the customers to choose from them, speeding up the process.
Other makers also repair and modify guitars, an added attraction for budding guitarists who can add new features to their guitars, and extra business for the guitar makers.
Top of the line companies like Fender, Martin, Gibson or Taylor do not offer custom-built guitars. But their guitars are generally built to meet the needs of the well-known or famous guitarists.
A custom-built guitar can cost anything from $1400 to $5,000 depending on the guitar maker and the components used. Some may even cost more. But it surely is good value for money.