Displaying 151-225 of 1226 products

Orange Rocker 15 Terror

Amp Head for Electric Guitar

12

2 Channels, Natural Volume, Gain, Bass, Mid, Treble, Dirty Volume controls, Mono FX loop, Incl. Gigbag

Line6 Spider V 30 MkII

Electric Guitar Modelling Combo

7

Classic Speaker Mode for an organic sound and natural playing feel, Amp presets arranged by renowned sound designers (ex. Dan Boul of 65amps), New...

Marshall Origin 50H Head

Tube Amp Head for Electric Guitar

12

Gain boost function, Two voicings (Normal, High Treble), which can be mixed continuously via the tilt control, Switchable power reduction for full...

Vox VFS5 Footswitch

Footswitch

394

Suitable for Vox VT 15/30/50/100, VT plus Valvetronix and VT20x/40x/100x, Sound selection, Effect on/off, 5 m fixed cable

Line6 FBV3

Footswitch Controller

33

13 Footswitches with LED rings, Volume/wah pedal, Tap switch for setting the delay time, Built-in chromatic tuner, Stable housing, Spider IV 15,...

Harley Benton G112

Guitar Box

370

12" Speaker, 1x Handle, 1x Jack, Semi-open MDF cabinet

Palmer CAB 112 GBK

Electric Guitar Speaker

107

25 Watt, 8 Ohm, 1x 12 Celestion G12 Greenback speaker, Open design

Harley Benton G212

Guitar Cabinet

252

Mono / Stereo switch, Jack, High-quality poplar plywood housing, 2 Large recessed carrying handles

Engl E212VB Pro

Guitar Box

48

2x 12 " Celestion vintage 30 speaker, With black front

Vox MV 50 AC

Amp Head for Electric Guitar

23

Analogue preamplifier with Nutube technology, Class D amplifier, Controls for gain EQ and volume, EQ switch on the back to adapt to speaker box,...

BluGuitar Amp1 Mercury Edition Bundle

BluGuitar Amp1 Mercury Edition

0

Hybrid Amplifier Head for Electric Guitar, Versatile, fully analogue amplifier in pedal format, 4 Channels, Adjustable boost, 3 Integrated...

G-LAB GSC-4 System Controller

MIDI Controller

24

LCD TFT display, 1000 Presets (100 banks with 10 presets per bank), Connection for expression pedal, 6 x Effects loop, 6 Relays for Amp Switching...

Ruby Tubes 12AX7AC5 HG+

Tube

51

Highest quality, Warm tone, Creamy overdrive, Developed as a driver tube in the V1 position, Low noise, Very insensitive to mechanical noise and...

Synergy SYN-5050

Stereo tube power amp for electric guitar

1

Specially developed for the Synergy system, Developed by Steven Fryette, 2 Latch inputs, 4 Jack outputs, Each channel with its own volume control,...

TAD 6V6 S JJ DUO Tube

Paired Power Amp Tube Pair

77

Rich bass and full mids with very good separation and smooth, clean highs, Very powerful due to its robust construction, Well-balanced sound

Hughes&Kettner TS 112 Pro Guitar Box

0

120 W, 2 Channels, Digital reverb, 3-Band EQ, FX Loop

Seymour Duncan Power Stage 700

Guitar Amplifier

4

Suitable for direct connection with effects devices, 3-Band EQ, 13 dB boost/cut in each frequency band, Speaker simulation, Controls for volume,...

Mesa Boogie Tube EL-34 STR447

Power tube set

10

Mesa Boogie EL-34 STR447, 1x Matched pair

Sovtek 12 AX7 WA

Pre-Amp Tube

210

Corresponds to ECC83 and 7025, 12AX7 A built according to military regulations

TAD RT812 Tubes 6L6WGC Duett

Tubes

87

120 W, 2 Channels, Digital reverb, 3-Band EQ, FX Loop

TAD Class-A Converter PEN-Tone

Class-A Converter PEN-Tone

7

Replaces power stage tubes of type 6L6GC, 5881, EL34 and 6V6GT with EL84 tubes, The EL 84 is used in pure Class A mode, 2x PEN-Tone Pentode incl....

Bugera V22 Infinium

All-tube guitar combo

137

2 Channels, 3x 12AX7 Preamp tubes, 2x EL 84 power amplifier tubes, Equipped with a 1x 12" Turbosound speaker, 1 Clean control, 1 Gain control, 1...

Hughes&Kettner FSM 432 MKIII

Footswitch for Grandmeister 36 and Tubemeister 36

89

128 memory slots, Tap delay, Stomp box mode, 2 Connections for expression pedals or single switch, Incl. 9 m MIDI cable

Kemper Profiling Amp PowerHead Bundle

Kemper Profiling Amp PowerHead Set

0

Kemper Profiling Amplifier Power Rack + Remote Control, Incl. remote control base board, Master Out (Jack & XLR), S/PDIF digital input and output,...

RockNRoller R6RT (Mini)

Trolley

112

120 W, 2 Channels, Digital reverb, 3-Band EQ, FX Loop

Deeflexx H!1 Aura

High-End Sound Deflection System

46

BASIC MODEL for ambitious players with the highest demands, No BEAM effect, transparent, open sound, "Warmer" and clear sound - evaluates each amp...

Harley Benton G212 Vintage Bundle

Harley Benton G212 Vintage

0

Guitar Cabinet, Mono / stereo switchable, Housing made of 16 mm poplar plywood, Grille with decorative strips, Made with black Tolex

Marshall MR1960AHW

Slanted Speaker Cabinet

35

Handwired reissue cabinet, Brown basket weave grill, Incl. Castors and loudspeaker cable

Laney IRT412A Ironheart

Guitar Speaker Cabinet

16

Angled design

Suhr Reactive Load

Load Box with DI

10

Simple solution to take up the warmth and dynamics of your sound without putting microphones to a speaker during a gig or studio recording,...

Line6 Spider V 240HC MkII Head

Modeling amp for electric guitar

0

Classic speaker mode for organic sound and natural playing feel, Amp presets tuned by renowned sound designers (e.g. Dan Boul) from 65 amps,...

Hughes&Kettner Tubemeister 110 Box

Guitar Cabinet

36

30 Watt, 1x10 "Celestion TEN 30 speaker

HoTone Loudster Portable Power Amp

Compact floor amplifier for guitarists

5

Designed for pedals and amp modellers, Compact format, Robust aluminium housing, True bypass, Compatible with speakers with impedances from 4 - 16...

TAD RT011 Tube 7025S Mullard

Tube

161

7025S Mullard Style, TAD premium select, Smooth, mild highs, creamy sustain in overdrive, slightly warmer in tone than our 7025 High Grade (RT010),...

Bugera EL34-4

Power Tube

10

Matched

Groove Tubes EL34R Quartet

Tube Quartet

7

Hard basic sound, Durable, Reliable EL34

TAD RT372 Tubes EL84M Pair

EL84M Tube Pair

64

Also used in matchless amplifiers the EL84M is the robust and extremely long life military version of the russian EL84, Matched, Price refers to...

Marshall DSL40CR

All Tube Combo Amp for Electric Guitar

19

Reissue series - authentic DSL sound, 2 footswitchable channels with classic gain and ultra gain, Independent volume and gain controls for both...

Line6 Spider V 60 MkII

Electric Guitar Modelling Combo

3

Classic Speaker Mode for an organic sound and natural playing feel, Amp presets arranged by renowned sound designers (ex. Dan Boul of 65amps),...

Marshall DSL100HR

Amp Head for Electric Guitar

9

DSL Series, Independent volume and gain control for both channels, Clean and Crunch Modes in Classic Gain Channel, Lead1 and Lead2 modes in Ultra...

Nux MightyLite BT Modeling Amp

Desktop Bluetooth Modeling Guitar Amplifier

19

3 Watt, 3 Channels (Clean, Overdrive, Distortion), 9 Drum patterns (Pop, Metal, Blues, Country, Rock, Ballad, Funk, RNB & Latin), Metronome, TAP...

Line6 Helix Control

Footswitch for Line6 Helix Rack

15

Touch foot switch with LED rings and custom display, 3 Expression pedal inputs allow maximum adaptability, Data and power transmission via included...

Quilter 101 Reverb

Amp Head for Electric Guitar

14

Controls for gain / limiter / bass / mid / treble / reverb / master, FX loop, Headphone output

TAD Bias Master BM4

Measuring Device For Bias

66

Four octal socket adapters, For the control of the retirement, At 6L6GC, 6550, EL34, 6V6 GT, 5881, KT88, KT66, KT90, KT100, 7027A, With illuminated...

Mesa Boogie Rectifier Guitar Cabinet 2x12H

Guitar Box

41

Horizontal version, Closed back, Castor set and protective cover (included)

Hughes&Kettner WMI-1 Wireless Midi Interface

Wireless MIDI Interface

29

For wireless use of all functions of the remote app for Grand Master, The WMI 1 generates its own network, Is connected between Grand Master and...

Marshall Origin 212 A Cabinet

Box for Electric Guitar

1

120 W, 2 Channels, Digital reverb, 3-Band EQ, FX Loop

Tone King Ironman II Attenuator

Power Attenuator

1

Full tube compression at room volume, Reactive Load Technology preserves the tone and dynamics of the amp, Footswitchable 3 dB / 6 dB solo...

Tube Amp Doctor Silencer 16 Ohms Black

Power attenuator

39

Power Attenuator, Silencer and Load Box, To be connected between the amplifier speaker output and speaker (cabinet), 16 Ohm, 2 db Attenuating steps...

Electro Harmonix 12AT7 EH

Preamp Tube

89

12AT7 corresponding ECC 81

Tech 21 MIDI Mouse

MIDI Switch

50

With up / down button, Easy to use, Battery operation also possible

Yamaha THR 100H Dual

Head amp for electric guitar

11

Dual version of the THR 100 - two completely independent amps in one housing, Class D power amp, FX Loop and Speaker Simulation, Foot switch...

Mooer Tube Engine

Guitar Power Amp

4

Suitable for connection directly to effect units, Class A / B tube circuit, Suitable for operation of guitar cabinets with 8-16 ohms., 1 x 12AXz...

TAD RT080 7025 WA

Tube

420

Ideal for critical input / V1 stages in guitar amps, Selected for sensitive applications, Smooth top, full gain, fat mids, tight low, Exceptionally...

Sovtek 6L6WXT+ Quartett

0

120 W, 2 Channels, Digital reverb, 3-Band EQ, FX Loop

Groove Tubes 6L6R Duett

Power Tubes Duet (2 Tubes)

13

Aggressive core sound, Very long-lasting and reliable

TAD RT871 Tube EL84 STR

Tube

118

Newly developed tube; combines the best properties the reowned EL84-CZ and EL84M, Exceeds the sound quality of the EL84-CZ, Provides a maximum of...

Marshall Origin 50C Combo

Tube combo amp for electric guitar

7

Gain boost function, Two voicings (Normal, High Treble), which can be mixed steplessly via the tilt control, Switchable power reduction for full...

Laney IRT60H Ironheart

Tube Amp Head for Guitar

88

4 ECC83 Preamp tubes, 2 6L6 Power amp tubes, Class AB amplifier, Controls for Bass, Middle, Treble with Pull-Push EQ Shift, Presence, Reverb, Pre...

Engl E606 Ironball Head 20

All-Tube Amplifier

53

20 Watt, 2 x EL 84 power amp tubes & 4 x ECC 83 preamp tubes, 2 Channels, EQ with controls for bass, mids and treble, Presence control, Gain boost...

Orange Crush CR120H

Transistor Head

55

120 W, 2 Channels, Digital reverb, 3-Band EQ, FX Loop

Marshall 2551AV Silver Jubilee

Guitar Speaker Cabinet

4

Angled shape

Orange PPC412 Slope

Guitar Speaker Cabinet

29

Andy Dunlop Signature cabinet, 4 Celestion Vintage 30 speakers, Angled

Suhr Reactive Load IR

DI with Dummy Load & Loudspeaker Simulation

3

A simple solution to capture the warmth and dynamics of your sound without the hassle of removing a speaker during a performance or studio...

SPL Reducer

Passive Attenuator for Guitar Amplifier

82

120 W, 2 Channels, Digital reverb, 3-Band EQ, FX Loop

Marshall Amp Cover C22

Protective Cover for Amps

124

For Marshall Amps MR 1960 A,1960AV, 1960AX, 425A/MC412A

Voodoo Lab Ground Control Pro

Ground Control

64

One of the most flexible and well-equipped MIDI footswitches on the market, Compatible to all MIDI-controlled devices, Stable sheet steel housing,...

DV Mark DV Little GH 250 Tube

0

120 W, 2 Channels, Digital reverb, 3-Band EQ, FX Loop

TAD RT832 Tube 6V6GT-STR Duett

6V6GT-STR Tube

54

Pair, Tighter bass, NOS typical "Sweet Top End", Ideal for all single-ended Class A amplifier as Fender Tweed, Fender Champ or Univalve

Engl E840/50 Poweramp

Stereo Tube Power Amplifier

25

Input gain switch, Volume control per channel, Presence A and B controller, Standby switch per stereo side, 8 and 16 Ohm output for each stereo...

Engl Tube ECC 83 First Quality

Tube

78

First quality, Unit price

Engl Tube 6L6 GC-STR (RT21X) GR21

Tube

10

6L6 GC STR (RT21X), Grade 21, 1 Pair, Selected

TAD RT154 Tubes EL34L Cz Quartet

Tubes EL34L

23

Quartet, Very powerful bass as well as a high performance and durability, Ideal for the British rock 'n' roll sound

Ruby Tubes EL34BHT MQ

Matched Tube Quartet

10

A completely new EL34 tube, Rich sound, Very solid

Ruby Tubes EL84C MQ

Tube Quartet

5

Matched quartet, Typical EL84 Sound

Guitar Amps - Sound The Business

Guitar amps in the electric guitar can either be transistor-based or tube-based or a combination of the two.

Most amps use tone controls to regulate treble, middle or bass sounds. These controls help guitarists to ensure that there is no distortion when the sound is amplified.

The guitar amp is available in multiple sizes and power levels, the most popular being the combo or multi-purpose amp. These amps provide power that can be used for a wide range of playing from practice guitar sessions to concerts.

How Loud Do You Want Your Guitar Amp?

Mini amps are small, and ideal for home practice. Relatively inexpensive, they come with a head jack and are ideally suited for the beginner guitarist. However, their size should not be considered a limitation. Even mini amps can produce loud sounds.

The most powerful amplification comes from Amp Stacks. They come in two ranges, the full amp stack and the half amp stack. Full amp stacks have an amplifier head and two large speaker cabinets with four speakers in each cabinet. A half amp stack has a single cabinet with four speakers and an amplifier head.

The amp stacks are particularly popular with rock guitarists, because they can make the sound boom. They are generally used for performances in large rock concerts.

It is essential to take good care of amps, especially tube amps as they are extremely sensitive to temperature and often malfunction in extreme conditions. There is also the danger of an electric shock if the amp is not properly grounded.

Almost all major electric guitar manufacturers like Fender, Martin, Gibson and Taylor supply amps and they can even be fitted to most classical and acoustic guitars.

Adding Zing To The Guitar Sound

Guitar amplifiers are a simple way to make your guitar more audible during a live performance or practice session. If you are on a budget and cannot invest in expensive equipment, an amplifier better known as a guitar amp is wonderful choice. With technological advancements, amplification devices for guitar are now available at affordable prices.

Getting a guitar amplifier can work wonders for a guitarist who does lot of live performances. Advancements in material science, acoustics and amplification devices have worked wonders and a guitarist can now get better amplification for sound of guitar strings with minimal power. The power needed by an amplifier is in a logarithmic relationship with amplification needed.

However, as a guitarist you must employ extra precaution while buying amplifiers for guitars. A good amplifier can produce great sound even with average guitars but substandard amplifiers can make even the best guitar to sound lousy. If you are high on live performances and studio recordings, you should buy a sturdy high-end amplifier for your guitar.

Amplifiers are available for almost all types and makes of Guitars like, Acoustic, Electric, Spanish, Fender, Martin, Gibson, and PRS. The amplifier depends on the Guitar you are using. New people in the trade should seek expert advice before buying an amplifier for Guitars.

Amplifiers for guitars are available in four major variants, Solid-State Analog Amplifiers, Valve or Tube Amplifiers, Modeling or Digital Amplifiers and Hybrid Amplifiers. All these Guitar Amps have their advantages and disadvantages. Selection of an amplifier for guitars also depends on guitarist's personal preferences and playing styles.

Amplifiers - The Sound Of Rock

Amplifiers increase the volume and quality of sound and Marshall is an amplifier brand that stands tall. Already a classic in the amplifying world, Marshall amps help professional and accomplished guitarists achieve a richness of sound not possible with a guitar alone.

It all started with Jim Marshall, creator of the unique brand. Interestingly, Marshall was originally a drummer rather than a guitarist. Marshall later became a businessman and sold guitar and bass products. When customers asked for amplification machines that could produce an edgier sound, Marshall started creating what would be the defining standard for all amps.

The Marshall Amplifier - The Start Of Something Big

Marshall's first amplifier prototype was created in 1962. Demand for this amp eventually grew big, so big in fact that the company had to expand operations and open new amplifier manufacturing facilities.

So what made the amplifier so hot? It was the unique sound produced by this amp by overdriving the valve with a special transformer, which has become a signature feature of Marshall amps.

So astounding was the success of Marshall's amplifier and its effect on rock music that the sound it created then is still the sound of the stereotypical rock tone today.

This tone is achieved with a Marshall stack. The electronic equipment is made of a rectangular 100-watt or more Marshall amplifier stacked on top of two speaker cabinets, each containing four 12-inch speakers.

Their 4x12 amplifier cabinet design, was an original, and would be copied by other amp makers in years to come.

Cranking up this amplification machine produces a buzzing, electric and loud rock sound that would be used by many artists and musicians, among them Pete Townsend and Jimi Hendrix.