Displaying 151-225 of 1226 products
Amp Head for Electric Guitar
2 Channels, Natural Volume, Gain, Bass, Mid, Treble, Dirty Volume controls, Mono FX loop, Incl. Gigbag
Electric Guitar Modelling Combo
Classic Speaker Mode for an organic sound and natural playing feel, Amp presets arranged by renowned sound designers (ex. Dan Boul of 65amps), New...
Tube Amp Head for Electric Guitar
Gain boost function, Two voicings (Normal, High Treble), which can be mixed continuously via the tilt control, Switchable power reduction for full...
Footswitch
Suitable for Vox VT 15/30/50/100, VT plus Valvetronix and VT20x/40x/100x, Sound selection, Effect on/off, 5 m fixed cable
Footswitch Controller
13 Footswitches with LED rings, Volume/wah pedal, Tap switch for setting the delay time, Built-in chromatic tuner, Stable housing, Spider IV 15,...
Electric Guitar Speaker
25 Watt, 8 Ohm, 1x 12 Celestion G12 Greenback speaker, Open design
Guitar Cabinet
Mono / Stereo switch, Jack, High-quality poplar plywood housing, 2 Large recessed carrying handles
Amp Head for Electric Guitar
Analogue preamplifier with Nutube technology, Class D amplifier, Controls for gain EQ and volume, EQ switch on the back to adapt to speaker box,...
BluGuitar Amp1 Mercury Edition
Hybrid Amplifier Head for Electric Guitar, Versatile, fully analogue amplifier in pedal format, 4 Channels, Adjustable boost, 3 Integrated...
MIDI Controller
LCD TFT display, 1000 Presets (100 banks with 10 presets per bank), Connection for expression pedal, 6 x Effects loop, 6 Relays for Amp Switching...
Tube
Highest quality, Warm tone, Creamy overdrive, Developed as a driver tube in the V1 position, Low noise, Very insensitive to mechanical noise and...
Stereo tube power amp for electric guitar
Specially developed for the Synergy system, Developed by Steven Fryette, 2 Latch inputs, 4 Jack outputs, Each channel with its own volume control,...
Paired Power Amp Tube Pair
Rich bass and full mids with very good separation and smooth, clean highs, Very powerful due to its robust construction, Well-balanced sound
120 W, 2 Channels, Digital reverb, 3-Band EQ, FX Loop
Guitar Amplifier
Suitable for direct connection with effects devices, 3-Band EQ, 13 dB boost/cut in each frequency band, Speaker simulation, Controls for volume,...
Pre-Amp Tube
Corresponds to ECC83 and 7025, 12AX7 A built according to military regulations
Class-A Converter PEN-Tone
Replaces power stage tubes of type 6L6GC, 5881, EL34 and 6V6GT with EL84 tubes, The EL 84 is used in pure Class A mode, 2x PEN-Tone Pentode incl....
All-tube guitar combo
2 Channels, 3x 12AX7 Preamp tubes, 2x EL 84 power amplifier tubes, Equipped with a 1x 12" Turbosound speaker, 1 Clean control, 1 Gain control, 1...
Footswitch for Grandmeister 36 and Tubemeister 36
128 memory slots, Tap delay, Stomp box mode, 2 Connections for expression pedals or single switch, Incl. 9 m MIDI cable
Kemper Profiling Amp PowerHead Set
Kemper Profiling Amplifier Power Rack + Remote Control, Incl. remote control base board, Master Out (Jack & XLR), S/PDIF digital input and output,...
High-End Sound Deflection System
BASIC MODEL for ambitious players with the highest demands, No BEAM effect, transparent, open sound, "Warmer" and clear sound - evaluates each amp...
Harley Benton G212 Vintage
Guitar Cabinet, Mono / stereo switchable, Housing made of 16 mm poplar plywood, Grille with decorative strips, Made with black Tolex
Slanted Speaker Cabinet
Handwired reissue cabinet, Brown basket weave grill, Incl. Castors and loudspeaker cable
Load Box with DI
Simple solution to take up the warmth and dynamics of your sound without putting microphones to a speaker during a gig or studio recording,...
Modeling amp for electric guitar
Classic speaker mode for organic sound and natural playing feel, Amp presets tuned by renowned sound designers (e.g. Dan Boul) from 65 amps,...
Compact floor amplifier for guitarists
Designed for pedals and amp modellers, Compact format, Robust aluminium housing, True bypass, Compatible with speakers with impedances from 4 - 16...
Tube
7025S Mullard Style, TAD premium select, Smooth, mild highs, creamy sustain in overdrive, slightly warmer in tone than our 7025 High Grade (RT010),...
EL84M Tube Pair
Also used in matchless amplifiers the EL84M is the robust and extremely long life military version of the russian EL84, Matched, Price refers to...
All Tube Combo Amp for Electric Guitar
Reissue series - authentic DSL sound, 2 footswitchable channels with classic gain and ultra gain, Independent volume and gain controls for both...
Electric Guitar Modelling Combo
Classic Speaker Mode for an organic sound and natural playing feel, Amp presets arranged by renowned sound designers (ex. Dan Boul of 65amps),...
Amp Head for Electric Guitar
DSL Series, Independent volume and gain control for both channels, Clean and Crunch Modes in Classic Gain Channel, Lead1 and Lead2 modes in Ultra...
Desktop Bluetooth Modeling Guitar Amplifier
3 Watt, 3 Channels (Clean, Overdrive, Distortion), 9 Drum patterns (Pop, Metal, Blues, Country, Rock, Ballad, Funk, RNB & Latin), Metronome, TAP...
Footswitch for Line6 Helix Rack
Touch foot switch with LED rings and custom display, 3 Expression pedal inputs allow maximum adaptability, Data and power transmission via included...
Amp Head for Electric Guitar
Controls for gain / limiter / bass / mid / treble / reverb / master, FX loop, Headphone output
Measuring Device For Bias
Four octal socket adapters, For the control of the retirement, At 6L6GC, 6550, EL34, 6V6 GT, 5881, KT88, KT66, KT90, KT100, 7027A, With illuminated...
Guitar Box
Horizontal version, Closed back, Castor set and protective cover (included)
Wireless MIDI Interface
For wireless use of all functions of the remote app for Grand Master, The WMI 1 generates its own network, Is connected between Grand Master and...
Box for Electric Guitar
120 W, 2 Channels, Digital reverb, 3-Band EQ, FX Loop
Power Attenuator
Full tube compression at room volume, Reactive Load Technology preserves the tone and dynamics of the amp, Footswitchable 3 dB / 6 dB solo...
Power attenuator
Power Attenuator, Silencer and Load Box, To be connected between the amplifier speaker output and speaker (cabinet), 16 Ohm, 2 db Attenuating steps...
Head amp for electric guitar
Dual version of the THR 100 - two completely independent amps in one housing, Class D power amp, FX Loop and Speaker Simulation, Foot switch...
Guitar Power Amp
Suitable for connection directly to effect units, Class A / B tube circuit, Suitable for operation of guitar cabinets with 8-16 ohms., 1 x 12AXz...
Tube
Ideal for critical input / V1 stages in guitar amps, Selected for sensitive applications, Smooth top, full gain, fat mids, tight low, Exceptionally...
120 W, 2 Channels, Digital reverb, 3-Band EQ, FX Loop
Power Tubes Duet (2 Tubes)
Aggressive core sound, Very long-lasting and reliable
Tube
Newly developed tube; combines the best properties the reowned EL84-CZ and EL84M, Exceeds the sound quality of the EL84-CZ, Provides a maximum of...
Tube combo amp for electric guitar
Gain boost function, Two voicings (Normal, High Treble), which can be mixed steplessly via the tilt control, Switchable power reduction for full...
Tube Amp Head for Guitar
4 ECC83 Preamp tubes, 2 6L6 Power amp tubes, Class AB amplifier, Controls for Bass, Middle, Treble with Pull-Push EQ Shift, Presence, Reverb, Pre...
All-Tube Amplifier
20 Watt, 2 x EL 84 power amp tubes & 4 x ECC 83 preamp tubes, 2 Channels, EQ with controls for bass, mids and treble, Presence control, Gain boost...
Guitar Speaker Cabinet
Andy Dunlop Signature cabinet, 4 Celestion Vintage 30 speakers, Angled
DI with Dummy Load & Loudspeaker Simulation
A simple solution to capture the warmth and dynamics of your sound without the hassle of removing a speaker during a performance or studio...
Passive Attenuator for Guitar Amplifier
120 W, 2 Channels, Digital reverb, 3-Band EQ, FX Loop
Protective Cover for Amps
For Marshall Amps MR 1960 A,1960AV, 1960AX, 425A/MC412A
Ground Control
One of the most flexible and well-equipped MIDI footswitches on the market, Compatible to all MIDI-controlled devices, Stable sheet steel housing,...
120 W, 2 Channels, Digital reverb, 3-Band EQ, FX Loop
6V6GT-STR Tube
Pair, Tighter bass, NOS typical "Sweet Top End", Ideal for all single-ended Class A amplifier as Fender Tweed, Fender Champ or Univalve
Stereo Tube Power Amplifier
Input gain switch, Volume control per channel, Presence A and B controller, Standby switch per stereo side, 8 and 16 Ohm output for each stereo...
Tubes EL34L
Quartet, Very powerful bass as well as a high performance and durability, Ideal for the British rock 'n' roll sound
Guitar amps in the electric guitar can either be transistor-based or tube-based or a combination of the two.
Most amps use tone controls to regulate treble, middle or bass sounds. These controls help guitarists to ensure that there is no distortion when the sound is amplified.
The guitar amp is available in multiple sizes and power levels, the most popular being the combo or multi-purpose amp. These amps provide power that can be used for a wide range of playing from practice guitar sessions to concerts.
Mini amps are small, and ideal for home practice. Relatively inexpensive, they come with a head jack and are ideally suited for the beginner guitarist. However, their size should not be considered a limitation. Even mini amps can produce loud sounds.
The most powerful amplification comes from Amp Stacks. They come in two ranges, the full amp stack and the half amp stack. Full amp stacks have an amplifier head and two large speaker cabinets with four speakers in each cabinet. A half amp stack has a single cabinet with four speakers and an amplifier head.
The amp stacks are particularly popular with rock guitarists, because they can make the sound boom. They are generally used for performances in large rock concerts.
It is essential to take good care of amps, especially tube amps as they are extremely sensitive to temperature and often malfunction in extreme conditions. There is also the danger of an electric shock if the amp is not properly grounded.
Almost all major electric guitar manufacturers like Fender, Martin, Gibson and Taylor supply amps and they can even be fitted to most classical and acoustic guitars.
Guitar amplifiers are a simple way to make your guitar more audible during a live performance or practice session. If you are on a budget and cannot invest in expensive equipment, an amplifier better known as a guitar amp is wonderful choice. With technological advancements, amplification devices for guitar are now available at affordable prices.
Getting a guitar amplifier can work wonders for a guitarist who does lot of live performances. Advancements in material science, acoustics and amplification devices have worked wonders and a guitarist can now get better amplification for sound of guitar strings with minimal power. The power needed by an amplifier is in a logarithmic relationship with amplification needed.
However, as a guitarist you must employ extra precaution while buying amplifiers for guitars. A good amplifier can produce great sound even with average guitars but substandard amplifiers can make even the best guitar to sound lousy. If you are high on live performances and studio recordings, you should buy a sturdy high-end amplifier for your guitar.
Amplifiers are available for almost all types and makes of Guitars like, Acoustic, Electric, Spanish, Fender, Martin, Gibson, and PRS. The amplifier depends on the Guitar you are using. New people in the trade should seek expert advice before buying an amplifier for Guitars.
Amplifiers for guitars are available in four major variants, Solid-State Analog Amplifiers, Valve or Tube Amplifiers, Modeling or Digital Amplifiers and Hybrid Amplifiers. All these Guitar Amps have their advantages and disadvantages. Selection of an amplifier for guitars also depends on guitarist's personal preferences and playing styles.
Amplifiers increase the volume and quality of sound and Marshall is an amplifier brand that stands tall. Already a classic in the amplifying world, Marshall amps help professional and accomplished guitarists achieve a richness of sound not possible with a guitar alone.
It all started with Jim Marshall, creator of the unique brand. Interestingly, Marshall was originally a drummer rather than a guitarist. Marshall later became a businessman and sold guitar and bass products. When customers asked for amplification machines that could produce an edgier sound, Marshall started creating what would be the defining standard for all amps.
Marshall's first amplifier prototype was created in 1962. Demand for this amp eventually grew big, so big in fact that the company had to expand operations and open new amplifier manufacturing facilities.
So what made the amplifier so hot? It was the unique sound produced by this amp by overdriving the valve with a special transformer, which has become a signature feature of Marshall amps.
So astounding was the success of Marshall's amplifier and its effect on rock music that the sound it created then is still the sound of the stereotypical rock tone today.
This tone is achieved with a Marshall stack. The electronic equipment is made of a rectangular 100-watt or more Marshall amplifier stacked on top of two speaker cabinets, each containing four 12-inch speakers.
Their 4x12 amplifier cabinet design, was an original, and would be copied by other amp makers in years to come.
Cranking up this amplification machine produces a buzzing, electric and loud rock sound that would be used by many artists and musicians, among them Pete Townsend and Jimi Hendrix.