Displaying 2026-2100 of 2128 products
Crash Cymbal
X-Ray series, B20 bronze, Traditional finish, With 24 different holes, Distorted sound, Fast response, Deep keynote, Short finish
Thin Crash Cymbal
Byzance series, Brilliant finish, Very low foundation, Extremely fast dynamic response, short sustain
Medium Crash Cymbal
Byzance series, Brilliant design, Bright, assertive sound with a slightly longer sustain
20" Medium Ride
Masterwork Custom Series, Traditional surface finish, Completely handmade in accordance with old Turkish tradition, B-20 alloy
Successor to the popular Sabian B8 series, Thin basin with strong hammering, Produces a high and trashy sound
Crash Cymbal
Signature Line, Medium bright, silvery, warm, full, transparent sounding crash, Extremely fast response crash cymbal with short sustain
Paiste Traditional Collection
Dark, thin and smoky, Low to medium volume range
Trio Hi-Hat Cymbals
Traditional Series, Regular finish, B-20 bronze alloy, Hand-hammered, This hi-hat trio includes two top cymbals with different weights and a bottom...
Medium Ride Cymbal
Byzance Series, Brilliant finish, Very harmonious, balanced sound, Warm overtones and clear ping
Crash Cymbal
18" Byzance Series, Vintage crash, Sandblasted surface, Large surface hammering on a thin material characterises this crash cymbal, resulting in a...
Thin Crash Cymbal
HH Remastered series, Hand hammered, B20 bronze, Very musical crash with a deeper, warm tone, Full response with fast decay, Brilliant finish
14" Hi-Hat
Masterwork's Resonant Series, Brilliant finish, Handmade according to Turkish tradition, B-20 alloy
Hi-Hat Cymbals
X-Ray series, B20 bronze, Brilliant finish, Top cymbal with many small holes, Heavy bottom cymbal, Slightly distorted sound, Quick response, High...
Club Ride Cymbal
Byzance Series, Jazz (brilliant) finish, Wolfgang Haffner Signature Ride Cymbal, Flat ride (4 rivets) with awesome presence, The large and deep...
Crash Cymbals
Series Avedis, Rock Crash, Regular version (traditional finish), Assertive, Loud, Heavy, Played by Tim Alexander, Kenny Aronoff, John Tempesta,...
Crash Cymbals
AA Series, Brilliant finish, Quick response, Full, bright and explosive tone, A special crash for low to medium volumes
14" Hi-Hat Cymbal
With a dark, warm vintage sound, Based on the traditional Turkish cymbals
Hi-Hat Cymbals
Byzance series, Dark (natural) finish, A perfectly co-ordinated hi-hat pair, developed according to the idea of ââRodney Holmes, Very...
18" Medium Thin Crash
OD DCMT18, The Origin cymbals feature a relatively small bell with a light profile, The medium-heavy cymbals are suitable for universal use in all...
20" Extra Heavy Ride
Masterwork Custom Series, Traditional surface finish, Completely handmade in accordance with old Turkish tradition, B-20 alloy
Hi-Hat Cymbal
Byzance series, Heavy strength, Brilliant finish, Very assertive, loud cymbal, Deep, soft tone
Rock Crash Cymbal
XSR Series, Brilliant finish, Bright sound, Stronger cymbal with a high amount of volume and sound reserves
Hi-Hat Cymbals
Made from B20 bronze, Hand-hammered, Dark and raw sound with a reserved volume, Designed for Stanton Moore, Produced by Sabian
Thin Crash Cymbal
Giant Beat series, Made of CuSn8 Bronze, also called 2002 Bronze, For soft to loud settings - live and studio recordings, Bright and warm sound...
Dark Crash Cymbal
Byzance series, Dark (natural) performance, Extremely dry, deep sound with very little treble, Hand hammered
16" Crash Cymbal
Very trashy sound, Short sustain, Perfect for fast and powerful accents
Hi-Hat
Bright and warm with great dynamics, Very suitable for Hard Rock, Rock, Heavy Metal and Fusion music styles
Successor to the popular Sabian B8 series, Thin basin with strong hammering, Produces a high and trashy sound
Heavy Ride
Bright and warm with great dynamics, Assertive bell and clear stick attack, Very suitable for Hard Rock, Rock, Heavy Metal and Fusion music styles
Successor to the popular Sabian B8 series, Thin basin with strong hammering, Produces a high and trashy sound
Crash Cymbals
HH Series, Hand hammered, Thin Crash, Very musical crash, Deep, warm tone, Full and clear response, Fast sustain / Short decay, Brilliant finish
Thin Crash
Classics series, Crash with a wide frequency spectrum and warm sound, Fast response and sustain
Crash Cymbal
X-Ray series, B20 bronze, Brilliant finish, With many small holes, Slightly distorted sound, Quick response, High fundamental tone
Hi-Hat Cymbal
HH Remastered series, Hand hammered, B20 bronze alloy, Warm, powerful response with clean, musical and articulated sound, Brilliant finish
Crash Cymbals
Signature Line Series, Dark Energy Crash, Dark body, Full frequency spectrum, Brilliant trebles, Very wide range, Direct sensitive response, Strong...
Heavy Crash Cymbal
Signature Precision Series, Loud crash cymbal, Medium long sustain, Full and brilliant sound, Pleasantly warm character with a rich sustain
Crash Cymbal
HH Remastered O-Zone Series, Manufactured with 2" holes, Produces a dark, very distorted and dirty sound, Brilliant finish
Thin Crash
Byzance series, Traditional finish, Byzance cymbals are handmade in Turkey, Refined and revised by Meinl, Warm crash sound with enormous dynamic...
Crash Cymbal
Element series, B20 bronze, Hand hammered, Untreated bell, Thin and dark cymbals with warm tone and short sustain, Made by Sabian
Rock Crash Cymbal
XSR Series, Brilliant finish, Bright sound, A strong cymbal with a high degree of volume and tone reserves
Power Crash Cymbal
Signature Line, Very bright, full, high-frequency crash, Fast response with long, swelling sustain, Extremely assertive, Ideal for those looking...
Crash/Ride Cymbal
HH Vanguard series, Brilliant finish, Thin, light cymbal with small bell, Dark sound, Very fast response
Successor to the popular Sabian B8 series, Thin basin with strong hammering, Produces a high and trashy sound
Crash Cymbals
A Series Heavy Crash, Brilliant finish, For voluminous sound always remaining musical
Crash Cymbal
AA Series, Medium thin crash, Brilliant finish, Bright, tonally full-sounding crash cymbal, Due to its low thickness, expect an extreme amount of...
Crash cymbals
2002 Classic Series, Size 18", Power crash, Aggressive and powerful, Penetrating crash for the powerful play
16" Crash Cymbal
Origin series, Regular model, A relatively small bell with a slight profile is characteristic of Origin cymbals, The medium cymbals are suitable...
Crash Cymbal
16" K 'Constantinople - Suspended, Traditional finish
Crash Cymbal
Natural finish, Neil Peart signature cymbal, Handmade from Sabian B20 bronze, Average weight, The large bell gives the cymbal an incredible volume...
Crash Cymbal
AAX series, El Sabor crash, Natural finish, Distinguished by its clear, solid bell, A thin, flanged, raised edge allows use as a crash as well as a...
Crash Cymbals
Byzance Series, Medium Thin Jazz Model (brilliant), Very explosive, warm sound that decays very quickly, Thin, heavily hammered cymbal with a deep...
Crash Cymbal
900 Colour Sound Series, Made of B8 (2002) bronze, Full sound with a strong, warm tone, For all musical styles
Orchestral Crash Cymbals
17" AA Molto Symphonic Suspended (thin), Brilliant finish
18" Crash Basin
Very trashy sound, Short sustain, Perfect for fast and powerful accents
Successor to the popular Sabian B8 series, Thin basin with strong hammering, Produces a high and trashy sound
18" Rock CrashThe Allround-Cymbal product range. A remarkable sound spectrum and a warm basic character with sensitive dynamic characteristics are the essential traits of the Custom series.
Masterwork Custom Series, Traditional finish, Completely handmade in the finest Turkish tradition, B-20 alloy
Heavy Crash Cymbals
Full sound with a strong, warm tone, For all music styles
Crash Cymbal
Masters series, Warm, gentle crash sound that fits unobtrusively and discreetly into quiet musical situations, Fast decay, Allows delicate ride...
Crash Cymbal
X-Ray 6 Series, B20 bronze, Brilliant finish, With 6 holes, Trashy sound, fast attack, deep tone, short sustain
HH Suspended Orchestra Crash Cymbals
Thin, Regular finish, Round, full fundamental tone that swells softly and warmly at cresendos, Crash sound with full tone and fast response
Successor to the popular Sabian B8 series, Thin basin with strong hammering, Produces a high and trashy sound
18" Crash Cymbal
Natural model, Specially designed cymbal with a full, warm sound
Crash Cymbals
Successor to the popular Sabian B8 series, Thin basin with strong hammering, Produces a high and trashy sound
Crash Cymbal
Kerope series, Vintage look and sound, Warm, dark and complex sound
Successor to the popular Sabian B8 series, Thin basin with strong hammering, Produces a high and trashy sound
Crash Cymbal
Byzance series, Extra thin jazz model (brilliant), Fast and explosive response, Very quiet cymbal with dynamic response and moderate sustain
Crash Cymbal
K Custom Special Dry Series, Natural finish, Dark, earthy sound with short sustain, K Custom Special Dry series was rereleased to serve today's...
Crash Cymbal
B20 bronze, Hand hammered, Clear and dark sound with short sustain, Developed for Stanton Moore, Made by Sabian
18" Crash Cymbal
From the Modern Essentials Series, Regular finish, CuSn20 bronze alloy, This crash delivers a rich and warm tone that responds quickly, and...
Heavy Crash Cymbal
Signature precision series, Loud crash cymbal, Medium long release, Full and brilliant sound, Pleasantly warm character with rich release
Crash Cymbals
Classics series, Excellent quality, Combines wide, full crash sound with enormous volume reserves, Explosive response at high volume
Heavy Crash Cymbals
Full sound with a strong, warm tone, For all music styles
Paiste Signature Line 18" Mellow Crash
Successor to the popular Sabian B8 series, Thin basin with strong hammering, Produces a high and trashy sound
Crash Cymbal
Tony Williams tribute model, B20 bronze, Hand hammered, True-to-life replicas of the cymbals Tony Williams played on the legendary 1960s recordings...
Cymbals are played mostly in the orchestra to create a wide range of loud, crashing sound effects. The word cymbal is derived from the Greek word 'kymbos', meaning "vessel" or "bowl".
As with most instruments, cymbals come in different sizes, from tiny finger sized with a gentle ding to garbage tin-cover sized with booming crash for orchestras.
Coming from the percussion family, cymbals are perhaps the only untuned musical instruments that are played by being struck, scraped or shaken together.
Cymbals are an essential element of a drum set normally using both high-hat and single. These can be hit with drum sticks or brushes, depending on the degree of sound required.
A heavier cymbal with hit with sticks may be perfect for a rock drummer where a jazz band or combo may prefer a thinner lighter one and brushes.
Some of the prominent categories of cymbals are:
I bet you never knew there was so much to know about the simple cymbal.
A cymbal is an ancient musical instrument and finds its place in nearly all kinds of music. It draws its name from the Greek word 'kymbos' which means 'vessel' or 'bowl', suggesting a link with bronze drinking vessels used in old times. Percussionists also call it a 'plate'.
There are many manufacturers of cymbals with some of the leading ones being Sabian, Zildjian and Paiste.
Before playing remove any padding or protective cover from the instrument. These reduce the effect of the sound.
Hold the instrument in your weaker hand. Place each finger under the strap close to the percussion instrument. Hold it at an angle of 45 degrees and position the other instrument away from the first, at a more vertical angle. You can now try to create different sound effects such as sizzle, crashing and roll.
There are many ways of playing this percussion instrument and therefore the sound that results from it is unique each time. It allows greater imagination and creativity of the performer. Thus when composing, the general sounds of the instrument need to be kept in mind. Then select the correct sounds, which would be proper to the particular emotion or structure of the music.
When playing in an orchestra you must keep the following points in mind. First, ensure that your part fits with the music, therefore, prepare for your performance through proper research and analysis, select the right instruments, think about what you plan to play and practice. Second, when playing, listen to the music, feel it and then express it. You will then be a part of the orchestra.