DigiTech DF7 Distortion Factory Electric Guitar Effects Pedal

DIGITECH DF7 X-SERIES DISTORTION FACTORY GUITAR EFFECTS PEDAL

Stock Code EG00593 

£79.21 (inc VAT)

In Stock - Next Day Delivery

 
 
 


The Digitech DF7 is like 7 distortion stompboxes in one, with three dual concentric tone controls so you can customize each model with High, Mid, Midrange and Low semi-parametric EQ. To get a whole spectrum of distortion tones you could spend a fortune on individual stompboxes (and have a pedal board the size of Beckham Palace)... or you can put the new Digitech DF7 to work.

DIGITECH DF7 DISTORTION FACTORY MODELS
Based on Ibanez TS-9* through a Fender 1965 Deluxe Reverb 1x12.
Based on DOD Overdrive/Preamp 250 through a Marshall* 4x12.
Based on Boss DS-1*through a Johnson 4x12.
Based on Pro Co Rat* through ad on Fender Bassman* 2x12.
Based on Boss Metal Zone* through a Johnson 4x12.
Based on DigiTech Metal Master through a VHT* 4x12.
Based on EH Big Muff through a Marshall 4x12 with 25-watt Celestion.

DIGITECH DF7 DISTORTION FACTORY GUITAR EFFECTS PEDAL FEATURES
Flexible Output Mode, allows stereo connection to your amps, mixer, or mono to both.
Normal (amp) and CIT (mixer) outputs for direct to mixer live or studio recording.
Three dual concentric knobs for Level/Low, Mid Frequency/Mid, Gain/High, and Distortion Model controls.
Rugged cast-metal chassis.
Unique carbon-fibre look.
Non-skid rubber base.

NB: Once you have finished using your pedal, remove all leads to avoid the battery being drained.

Further information on the DigiTech DF7 Distortion Factory Guitar Effects Pedal

Reviews

Review of the Digitech Distortion Factory

Review of the Digitech Distortion Factory

13 Oct 2008

Features of the Digitech Distortion Factory


Construction - Solid metal construction makes this unit reassuringly heavy for its size. The tweedy, silver-grey effect finish makes it look like the Devil's picnic hamper. 

Ins and Outs - One in and two outs (to amp and to mixer).

Power - One nine volt battery (supplied) or a Harman psu (not supplied).

Controls - Three dual concentric knobs that control six functions; The top part of the knobs control Level, Mid-Freq and Gain. The lower skirt of the knobs control Low, Mid and High. The fourth knob selects one of the seven distortion models available. The whole lower half of the unit is one big, fat on/off pedal.

Sound of the Digitech Distortion Factory


On each model I set the EQ to the manual's suggested values to achieve the most authentic reproduction of the distortion pedal in question. There is plenty of sweep in the four EQ knobs to tailor (or butcher) each model to suit your particular style. For this test everything went through a clean amp channel.

Model 1 is based on the Ibanez TS9 - Excellent classic rock tube-style overdrive, powerful without being oppressive. You could power-chord the night away without changing this sound at all;

Model 2 - DOD Overdrive Preamp 250 - A brasher, less complex distortion that's perfect for a heavy rock lead sound that smacks of the seventies;

Model 3 - Boss DS1 Distortion - Loads of presence and attack here. The manual claims that this distortion keeps more of the nuance of your playing style intact and I would certainly agree. And because more of the finger-on-string subtleties shine through this model great fun to use;

Model 4 - Pro Co Rat - Aggressive Recto-style distortion which gave the single humbucker on the Warlock a terrific sonic edge;

Model 5 - Boss MT2 Metal Zone - Out and out heavy metal with bags of sustain. Delivers that great chunky percussive rhythm on damped low strings. Particularly impressive when used with a dropped tuning;

Model 6 - Digitech Metal Master - Stripped out lead guitar sound that cuts through like a hacksaw. The sustain lets you pick up controllable feedback at will. Very nice;

Model 7 - Electro-Harmonix Big Muff Pi - Fat and creamy distortion that rewards good finger control on the fretboard with a big complex sound.   

Overall Impressions of the Digitech Distortion Factory


There a growing number of effects compilations on the market. This is a fine addition to the mix. There are few guitarists who would turn down an original DOD 250 or Big Muff, so right there is your value for money. In fact the model of Digitech's own Metal Master, which costs about the same as the Distortion Factory in real life, makes this pedal practically free.
All the models produce very usable sounds that cover all of the distortion bases in one tough little gig-worthy box. My only slight gripe is that you have to bend down to change the model selection which might be a bind in a cramped pub gig. 

Reviewed by The Man in the Jar


 

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